Start-to-Finish

Start-to-Finish

"Long before Starbucks and Microsoft put Seattle on the corporate map, the city was a haven for artists, musicians and moviemakers. Since 2003, the city has helped 62 independent films get made in the area, due largely to the Northwest Film Forum, a 12-year-old organization with nearly 1,000 members which aids local moviemakers in getting their movies made by co-producing projects through their 'Start-to-Finish' program. This kind of support has brought many new moviemakers to the city and kept even more homegrown talents enthusiastic about shooting their films in Seattle."
-MOVIEMAKER MAGAZINE, Winter 2007

"For many reasons - the automatic equation of the feature film format with Hollywood commercial product first among them - the U.S.'s non-profit funding world and the American independent filmmaking scene have acted like estranged cousins for the last two decades. Seattle's Northwest Film Forum is changing all of that with its 'Start to Finish' grant."
- Scott Macaulay FILMMAKER MAGAZINE, January 2005

 

Start-to-Finish is a program to commission a narrative feature film of a Washington-state filmmaker. Using a holistic approach to supporting the filmmaker, the Film Forum aids in the project from conception to preproduction, shooting, post-production, sales and distribution.

Vision

Start-to-Finish supports a director through his or her filmmaking in the state of Washington. It supports work that can be produced on a modest scale, shot and completed in a timely matter, and pushes the art form forward. Start-to-Finish exists because of the belief that non-profits can and should be instrumental in producing great films. The program is inspired by state-supported funding programs in Canada, England, France, and Iran, where feature filmmaking is perceived foremost as an artistic and cultural product, not only for commercial value. Northwest Film Forum presents Start-to-Finish as national model for bringing this level of support to the United States.

Support

Leveraging professional services, the Film Forum provides a framework to make a successful low budget film, while retaining a high production value and presenting industry best practices and guidance. Script consulting, budgeting, casting, script breakdown and other services are provided. Local production and post-production vendors provide services such as color correction and sound recording. The Film Forum provides free office space, use of production gear, its edit suite, and screening facilities, as well as staff time and expertise.

Working Process

Start-to-Finish provides a collaborative process to support the artistic development of a project. Work must be made within the financial and temporal framework of the program, within which there is tremendous support for artistic risk taking and inventive filmmaking. The Film Forum's production, exhibition and education programs are integrated with Start-to-Finish, and the organizations resources flow through the artist. Filmmakers work through these programs, presenting a script reading, introducing a screening that influenced the director's work, or teaching a class.

Background

Start-to-Finish has produced six narrative feature films to date - every film it has set out to make. Previous films have had varied budgets, and shot on a variety of formats. Starting with Money Buys Happiness, written and directed by Gregg Lachow, the program has helped push forward the career of acclaimed Northwest filmmakers. Subsequent films were Out of the Blue by Sue McNally, Buffalo Bill's Defunct by Matt Wilkins, and Hedda Gabler by Paul Willis. Robison Devor and Charles Mudede's Police Beat premiered in Dramatic Competition at Sundance 2005 and has gone on to great critical acclaim at festivals around the world. The film was named one of the top ten films of the year by Amy Taubin in ARTFORUM, was released theatrically, on cable and DVD. The Immaculate Conception of Little Dizzle, written and directed by David Russo, shot in June 2007 and will premiere in 2008. The 2008 artist, Dayna Hanson, will direct her first feature film Rainbow, building on her short of the same name.

How to Get Involved

The best way to be selected for a Start-to-Finish commission is to make great work and let us know about it. While there is no application process for Start-to-Finish, nearly all Start-to-Finish artists are filmmakers who have previously produced work supported by NWFF, or had their work show in the cinemas. The organization offers filmmakers a number of paths to get involved with NWFF and the larger filmmaking community, all of which lay the groundwork for future Start-to-Finish artists. Five grant programs provide free or low cost use of NWFF facilities and equipment to local filmmakers. Nearly 50 volunteers work on everything from exhibition and office support to coordinating our film library. Our Filmmaker Challenges are quarterly open calls for creation of short work on a given theme, which is screened quarterly in the cinemas. Signature Shorts commissions filmmakers to make a 35mm short film that premieres at NWFF and then plays across Western Washington. New and established talent is discovered and nurtured through screenings in our cinemas, including work submitted to the Local Sightings Film Festival and given theatrical runs. All of these programs feed artists into our Signature Shorts program, and ultimately Start-to-Finish.

 

Rainbow

An experimental musical scored by Today!, Rainbow’s approach to narrative borrows freely from dance theater—musical interludes punctuate the story; dialogue gives way to dance breaks and dreamy visual ideas.  Development is scheduled to begin in Spring 2009.

Immaculate Conception of Little Dizzle


The 6th recipient of the Start-to-Finish grant is internationally acclaimed Seattle filmmaker David Russo, who will write and direct the feature film The Immaculate Concenption of Little Dizzle. The Start-to-Finish grant is an innovative grant project through which the non-profit Northwest Film Forum throws the entirety of its resources behind a filmmaker's feature film.

Police Beat

Co-written by Seattle critic and journalist Charles Mudede (whose weekly writings include The Stranger's crime blotter column, "Police Beat") and produced by Seattle locals Jeffrey Brown and Alexis Ferris, Police Beat presents a unique protagonist in the post-911 world: a morally upright, Republican Muslim police officer.

Hedda Gabler

Hedda Gabler is the sixth feature film produced with Northwest Film Forum, and the fourth produced through the Start-to-Finish program. Artist Paul Willis directed this contemporary feature film adaptation of Henrik Ibsen's late 19th century play Hedda Gabler. This project is produced in association with Best Ten Dollar Suit Pictures and Printer's Devil Theatre, who staged the play to critical acclaim in Fall of 2000 at Sand Point Naval Base. Printer's Devil collaborated heavily on the casting and workshopping aspects throughout pre-production.

Buffalo Bill's Defunct

A hit at the Seattle International Film Festival, Buffalo Bill's Defunct is an intergenerational study of the various messes family members make when they attempt to deconstruct the walls that separate them. Bill, the patriarch of a Washington family, accidentally drives his car through the garage. From this seed, a tangled web of family stories emerges, painting a touching and funny, but stubbornly unsentimental portrait of a rural northwestern clan. Improvised from a detailed treatment, the film focuses on bringing authentic human behavior to the screen. This the third film to emerge from the Start To Finish program.

Out of the Blue

Directed by Sue McNally (2000)

Money Buys Happiness

Money Buys Happiness is the first film to emerge from Northwest Film Forum via its groundbreaking Start-to-Finish project. The film was shot in Seattle in 1998, Money Buys Happiness premiered at the 1999 Seattle International Film Festival to a sold-out house at the Cinerama Theater as a benefit for the Start-to-Finish program. It went on to play the Los Angeles International Film Festival, the Hamptons and many others. It was released theatrically on 35mm by Northwest Film Forum, and on DVD by Vanguard Cinema.